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Ongaku Ska Podcast # 49

1. Kozu & The Ska Flames – Nothingles
2. JOYRIDE – ru ru ru no uta
3. Freedom Ensemble – Patagonia (Live)
4. THREE SEVEN – Working men
5. The Descriptions – Welcome Rain
6. Reggae Disco Rockers – Rocking Time
7. ICCHIE – French Conection
8. COOL WISE MAN – Rollin’ On
9. Tatsumi Akira & The Cassette Con-Los – Stray Shot
10. Papa B & mule train – Sunshine
11. BRAVE LION – Volcano
12. SKYLARKING – Yard Green
13. The Roulettes – Fire Train
14. THE SKA-PHONICS – Hierophant
15. Orange Pekoe – Calm Wave
16. Skapontas – Splash One’s way
17. Runa Miyoshida – Invitation
18. TOKYO SKA PARADISE ORCHESTRA – Rudie’s Calypso



Here the new Ongaku Ska Podcast, with the best of the Japanese ska & reggae. Thanks by listen it, arigatou gozaimasu. If you want
writter quest to me for about a band or about Other info, here my email:


rudboyska800@gmail.com

good for me is proud to publish such a great job in the good rafael
horabuena and all Ongaku staff ska ... hopefully soon be back with his official podcasts
by JAZZYNG-BOO ....




Download & Listen here:

http://www.worldjamaica.podomatic. com /


download:

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Kactus Avenue Ska-Tonight! [Live Demo]

Banda: Avenida Kactus
Title: Ska Tonight! [Live Demo]
Genre: Ska - Latin - Fusion
Myspace: http://www.myspace.com/avenidakactus

Trak list: 1 .- Today


4:46 2:36 2 .- Mitla
Resist 3:16 3 .- 4 .- Ska
Tonight! "Chopitos"
4:14 2:36 5 .- Camel Clutch
aki
good gentlemen we leave the material in this new band hoping that you will enjoy it and especially support! to be touched ... by JAZZYNG-BOO


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Recalling the 30 years of New Canto (2008) South wind

NEW SONG 30 YEARS OF

Nelson Interview Schwenke, Schwenke y Nilo integral, during 30 years of so-called Canto Nuevo, held on October 11, 2008, at the Teatro Caupolicán.

- What do you think is the area now, the New Song? Join
-Chilean musical spectrum, a higher current, without exception and with the certainty that will be assessed as part of the country's cultural identity. In that Chile has changed, it would be more cautious, because I perceive the changes of form than of substance.

- How do you see the country, then?
-rescue that there is greater tolerance, diversity and eclecticism. But the fetish, the installation of "having things" become useless artifacts, carelessness and cause us a big frustration. We heard in our concerts, nostalgia for the time when "we fought for our ideals," the feeling of being excluded from the tribe is something present in every moment. The enemy is not as concrete thing (granitic said the Fuhrer). System is now embedded in our ways of life: Capitalism exacerbated eternal unpayable debt, the amount of daily living, you have to pay to be socially acceptable, and so on. In this not agree with those who, having authority, no changes have enabled the right direction, but on the contrary, have maintained and enhanced a system, relegating persons behind things.

- How to spend a large stage as the Theatre Caupolicán after a story closer to more intimate and cozy places like Café del Cerro?

- The Café del Cerro, Rincon de Azocar, Café Ulm, Casona de San Isidro, La Kamarundi, etc., There were small spaces. Were huge spaces where could all the pain of a people that had to be reset from the ashes. Where he trained an entire generation that never knew about politics, human rights and universal values \u200b\u200bin these areas had the opportunity to learn to live without hatred or resentment. The Caupolicán is only slightly larger.

- What is for you the substantial difference between the Chilean and New Song New Song? Not to mention that one derives from the other.
- The main difference is the historical context. Furthermore, we understand the Canto Nuevo as a commercial sign to differentiate in their historical context post-stroke. Still pending is a sociological analysis of this "movement", which would be helpful.

- Do you think that after the New Song has been a movement that approximates the strength and artistic conviction that you had?

- At some point I thought the Chilean rock could be established as a movement to produce changes in cultural behavior of Chileans. But I fear that was only part of an economic system that took it as a product of sale. which is extracted the bone and is sold by pate. We must wait. I trust the work of songwriters. There are many and few media spaces. New Song added that the cannot had a political responsibility and that in most cases was an element of combat against the military dictatorship, which allowed the strength and conviction were inherent the objectives of artistic endeavor. Those who did not understand well, were lost on the road.
( The Clinic)

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was an initial trio formed by José Miguel Marambio, Oscar Larraín and George Edwards, who left Chile to journey across the continent and in 1978 reached Brazil. They coined the name South winds to start playing since 1979 in Porto Alegre and Sao Paulo, where the same year they were joined by flutist Carlos Little Johnson, also Chilean. In his

roam the continent piled South American folk instruments, including flutes, charango, bass drums and percussion Brazilian. The group performed in 1979 in the theater Getulio Vargas of Sao Paulo, joined the local group Tarancón and the following year recorded his first album, stamped paulista Crazy: The South Winds LP (1980), which contains a wild Latin sound acoustic instruments and contains the first version of''Margaritas.'' South winds

returned to Chile in 1981. Joined the scene of the Canto Nuevo entrenched. In this context Vientos del Sur in Chile recorded their second album, At the top of the mountain (1982). Later played music at various Chilean poets and name of the group is transformed to South Wind, tending this SuSeSo formations.

http://www.bandavientosur.cl/

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Podcast Jamaica in the world: THE BEST OF 2010 (Part I)

¡Hello everybody!
Here Rafael from Caracas – Venezuela put good ska, reggae and rocksteady in this podcast named: Jamaica in the world.
Happy new year to all friends in the world. Thanks, many thanks for downloaded and listened my podcast in the last year, I’m very pleased. Thanks
This is the first part of the special review from the best released edited in 2010 (the best albums for me) 2 hours of many ska, reggae and good music.
‘ll hope do you can enjoy it.
Feliz año gente, again return to the "microphone" to try to select the best music possible and try to discuss the most appropriate information regarding the bands placed. Many thanks to each and every one of you to listen to this podcast, from friends here in the city of Caracas to people in Mexico, Spain, Argentina, Colombia, Ecuador and others. Thank you so much. 2011
For this I hope to continue bringing great music, to be his or her companion soundtrack more enjoyable under any mood or engaged in any activity, no music, no life and splendor and more are yet no Jamaican music enjoyment and pleasure.
Here is the first summary of the past year 2010 (in my humble opinion and discretion) the best (or some of the best) albums released last year 2010, very productive year which were published more than 63 new releases worldwide. From New Zealand, Japan, South Korea, Thailand through the Mediterranean and arriving in Spain, Italy, France, Holland, Hungary, Slovakia, Denmark, crossing the "pond" to the USA, Mexico, Venezuela, Brazil and to Argentina, this will be a pleasant and enjoyable musical ride with extraordinary musical ideas that work and share their creativity and musical approach to the world for us to enjoy this magical music.
Soon I'll be uploading the second part, with another couple of hours and a musical ride with the best of last year.
You know, comments, suggestions or requests framed within the concept of podast: rudboyska800@gmail.com
Thanks.
1. Baby Love & the Van Dang - Friday Night, Saturday Nigh (Denmark)
2. Irie Maffia - Jah Watching (Hungary)
3. Mr T Bone - Coconuts Limbo (Italy)
4. Sly & Robbie - You've got a friend in my (England / Jamaica)
5. Easy Stars All Stars with Michael G - Everybody Wants To Be a cats (USA)
6. Tsuyoshi Kawakami & His Moodmakers - How deep is your love (Japan)
7. EL ARCA - Bon Voyage (Venezuela)
8. Train's Tone - Misty (France)
9. Markscheider Kunst - Drugi gorod (Russia)
10. Cultura Profetica - Low tension (Puerto Rico)
11. Skatroniks Jamaica - Tek it eezy (England)
12. Satellite Kingston - The Enemy (Argentina)
13. THE BEATDOWN - One Night (Canada)
14. The Soursop - The Wild (Mexico)
15. The Moon Invaders - Strange Little Angel (Belgium)
16. Ska D Lite - Do it right (Netherlands)
17. Polemic - Uz idu (Slovakia)
18. Kingston Rudieska - Ska Bless You (South Korea)
19. Smooth Beans - The Road of Cherokee (Spain / Cantabria)


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